The article summarizes the state of research on early Italian scores up to 1615, developing the hypothesis of a specific connection between two eminent lutenists, Carlo Gesualdo and Simone Molinaro. The latter published in 1613 in score the six books of Gesualdo's Madrigals and two years later his own (only recently discovered) Madrigali a cinque voci con partitura. Lute tablature could be considered a kind of score in which the vertical alignment of the polyphonic lines is fundamental not only when transcribing vocal music but also in composing for the instrument
Il volume è articolato in due parti. Nella prima viene discussa la situazione della musica profana i...
The subject of the article is Scene 6 from Act III of Luigi Rossi’s musical drama Il Palazzo incanta...
Edizione critica del Quinto libro dei Madrigali a cinque voci di Carlo Gesualdo da Venosa (1613
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...
Nel 1613, l’anno in cui Carlo Gesualdo moriva, il compositore e musicista Simone Molinaro pubblicava...
The title of the presentation contains two elements: a citation (referring, of course, to Carlo Gesu...
Carlo Gesualdo’s “Madrigali a cinque voci, Libro Terzo” (Third book of five voices madrigals) it is ...
Gesualdo’s compositional writing evolves throughout his six books of madrigals. While the first two ...
This article focuses on Aquilino Coppini’s contrafacta of Monteverdi madrigals from the Fifth Book, ...
Thesis (Ph.D.)--Boston University.Luzzasco Luzzaschi belongs to that group of late sixteenth century...
This article focuses on Aquilino Coppini’s contrafacta of Monteverdi madrigals from the Fifth Book,...
In the summer of 1602, Marco da Gagliano's Primo libra de madrigali a cinque vociwas printed in Veni...
Claudio Monteverdi\u27s madrigal output between 1590 and 1613 often overshadows the output and contr...
492 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1984.The Concerti di Andrea et di...
480 leaves :illus., maps., pamph.(404-41p.) in pocket ; 30 cm. Bibliography: p.459-472. University o...
Il volume è articolato in due parti. Nella prima viene discussa la situazione della musica profana i...
The subject of the article is Scene 6 from Act III of Luigi Rossi’s musical drama Il Palazzo incanta...
Edizione critica del Quinto libro dei Madrigali a cinque voci di Carlo Gesualdo da Venosa (1613
The article summarizes the state of research on early Italian scores up to 1615, developing the hypo...
Nel 1613, l’anno in cui Carlo Gesualdo moriva, il compositore e musicista Simone Molinaro pubblicava...
The title of the presentation contains two elements: a citation (referring, of course, to Carlo Gesu...
Carlo Gesualdo’s “Madrigali a cinque voci, Libro Terzo” (Third book of five voices madrigals) it is ...
Gesualdo’s compositional writing evolves throughout his six books of madrigals. While the first two ...
This article focuses on Aquilino Coppini’s contrafacta of Monteverdi madrigals from the Fifth Book, ...
Thesis (Ph.D.)--Boston University.Luzzasco Luzzaschi belongs to that group of late sixteenth century...
This article focuses on Aquilino Coppini’s contrafacta of Monteverdi madrigals from the Fifth Book,...
In the summer of 1602, Marco da Gagliano's Primo libra de madrigali a cinque vociwas printed in Veni...
Claudio Monteverdi\u27s madrigal output between 1590 and 1613 often overshadows the output and contr...
492 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1984.The Concerti di Andrea et di...
480 leaves :illus., maps., pamph.(404-41p.) in pocket ; 30 cm. Bibliography: p.459-472. University o...
Il volume è articolato in due parti. Nella prima viene discussa la situazione della musica profana i...
The subject of the article is Scene 6 from Act III of Luigi Rossi’s musical drama Il Palazzo incanta...
Edizione critica del Quinto libro dei Madrigali a cinque voci di Carlo Gesualdo da Venosa (1613